Following a workflow doesn’t eliminate the ability to exercise creativity and subjective decision making about your photographic images. Instead, I see it as a way to provide structure to your thinking that can help you expand the level of creativity you can apply to your images. By having a systematic method for processing your images, you’re free to think about the effect on the image rather than the actual process. And just because you have a process doesn’t mean it isn’t unique or can’t be revised as the situation warrants it.
In this book, I present a structure you can follow (and modify) when optimizing your images in Photoshop. It isn’t designed to be an absolute formula, but rather a guide to help you define a structure for your own workflow. This process works well as a basic flow, but that certainly doesn’t mean you should blindly follow the workflow exactly as I present it. Instead, think of it as one way to approach the image-optimization process, and then fine-tune it to meet your own needs
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