Photography is cameras . But a better axiom dictates that good photography is lighting . Distinguished craftspeople, artists are masters of light. Whether photographers are striving to imitate Renaissance painters and their classic “ Rembrandt lighting ” or experimenting with cutting edge,
unorthodox sources, such as ring lights or HMIs, the camera is secondary — the light paramount. Learning to “ see ” or “ re-create ” light can take a lifetime.
Designing stylized illumination, or mimicking the sun, may be opposite ends of the visual spectrum but they are equally diffi cult to accomplish.
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